"The set design by Dunsi Dai enhances the story's emotional power. Six towers filled with lists of names (presumably of other Auschwitz victims) frame the stage, which is mostly taken up by an asymmetrical six-sided plinth. No two sides are the same height or length, suggesting a world out of alignment. On top of the plinth sits a second stage, a perfect circle that allows listeners from today to enter into the center of Hana's story. ."
By Dennis Brown, " River Front Times" .

.-- HHANNA'S SUITCASE
The Metro Theatre of St. Louis